Barber was drunk and Ibeca was pissed. She said that Lucky and Barber were holding up the filming because of their childish, drunken behavior. As if Paris was ever a city to stay sober in - Paris, where there are 3D Stencils fucking on the walls. Non-Affiche. Barber believes, beyond a shadow of a doubt, that Pooler Jones - his `brother' - is behind Morton Smith's forgery of the Secret Gospel of Mark. And Lucky does not disagree; he and Skippy have helped both of the brothers Salt a Provenance or two. Skippy, the artist element of the Dopplegänger Skippy/Lucky, has even crossed the line and is active in the `Family Bidnez.' He and Pooler, much to Barber's chagrin, have recently completed a "certifiable" Adolf Hitler watercolor which is scheduled to be `discovered' soon. Very soon. Skippy hid a photo of the painting on this page, but you'll have to find it. It was recently estimated that over 40% of what you will find in the world's museums are fakes, forgeries, what Kenny La Roche calls: Bogeys. The Poussin Bogey which Barber is "restoring" in Paris as a Teaching-Project for the École Nationale Supérieure des Beaux-Arts is a small sketch - a "pen and wash" drawing of an alternative version of Poussin's masterpiece: A Dance to the Music of Time. Until now, Art world wisdom knew of only one other sketch of that painting and it hangs in the National Gallery of Scotland in Edinburgh. It too is a Pen and Wash. Lucky and Barber are going to Scotland soon to season the discovery with a piece of `Just So' evidence which is shaky enough to get the Etics interested. And that means money. Euros - and Millions of them. The Art World has a serious Jones for that kind of money - so serious that things like Provenance are regarded thru blinkers. It's a balancing act. You shoot to stay under the Radar where the Early Adopters are sniffing around for first bites. In Art, it doesn't matter so much that it's authentic - only that it's interesting, or notorious, scandalous, or could change history. Hitler's Art sells under the counter for millions. | |||||||||||||||||
Click on the Pearly Button below to see Michael in Paris. 6 Times should do it.
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Don't forget: Ne fronti credi. Ne fronti credi.
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Click the Pearl! 12 times. Watch the Old Dragon get Geomanced.
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The Mar Saba "Clementine" letter of the Secret Gospel of Mark includes only 2 short excerpts from the disputed gospel. Clement tells Theodore that the first excerpt is to be inserted in the Canonical Gospel of Mark between verses 34 and 35 of Mark 10. It is this excerpt which has the experts spinning - as well as the Vatican. On the face of things it would be easy for the pros to throw the excerpt out as an obvious forgery except that both of the excerpts give neat resolutions to some very puzzling passages in Canonical Mark. The first excerpt is printed below in its entirety.
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"And they come into Bethany. And a certain woman whose brother had died was there. And, coming, she prostrated herself before Jesus and says to him, 'Son of David, have mercy on me.' But the disciples rebuked her. And Jesus, being angered, went off with her into the garden where the tomb was, and straightway a great cry was heard from the tomb. And going near, Jesus rolled away the stone from the door of the tomb. And straightaway, going in where the youth was, he stretched forth his hand and raised him, seizing his hand. But the youth, looking upon him, loved him and began to beseech him that he might be with him. And going out of the tomb, they came into the house of the youth, for he was rich. And after six days Jesus told him what to do, and in the evening the youth comes to him, wearing a linen cloth over his naked body. And he remained with him that night, for Jesus taught him the mystery of the Kingdom of God. And thence, arising, he returned to the other side of the Jordan." | |||||||||||||||||
Obviously Peter Jeffery has made up his mind. He uses a Semantic Deconstructionist Ax on the "Secret Gospel," and argues that Morton Smith forged the Clement Letter and left his fingerprints on the ways he misinterprets Ancient attitudes and mores on Homosexuality with 20th Century attitudes - so his argument is based on Anachronisms within the "forged" text. Then it gets real interesting and starts to account for Barber's obsession with Oscar Wilde, L'Hotel, and his famous play: Salomé. Jeffery argues that the construction of the "Secret Gospel of Mark" was influenced by Wilde's Play Salomé and that the entire forgery can be traced to a Sub-Rosa British University Homosexual society called the Uranians to which Wilde belonged. Uranianism hated women and Christian Moralists who were so hypocritical as to deny Christ's "real" sexuality. Barber Perfect bristles. And Lucky suddenly sees that none of the things happening to Kenny in Paris are accidents. Besides the Poussin, Barber has another agenda in the City of Light and it has nothing to do with what the others call History. | |||||||||||||||||
Click on Despair and face the Demon: the Entzauberung der Welt - the Disenchantment of the World - you will never understand Oscar Wilde's play Salomé or Secret Mark until you face your Immortality. Click on the Speed Limit to find the Trinity in New Mexico - More Motorcycle tales and Girls with 7 Veils.
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